Boarding Pass Redesign

Taking another look at one of the worst offenders of information design.

In August 2013, I published an article on Medium with the goal of redesigning the boarding pass. It had over 70,000 views and was subsequently picked up by Gizmodo, Wired and Fast Company. Here is the article and the designs in their entirety.  

Airports are not enjoyable places to be.

Long distance travel is not a tonne of fun. Badly designed boarding passes are annoying. Seriously annoying. The boarding pass is essential for air travel but when badly designed, must be one of the most counter-productive items an airline could issue. I think they cause headaches for airline and airport staff and travellers alike. Travellers are often stressed, emotional, groggy, jet lagged or a toxic mix of all four. The thought of having to decode a rubix-cube-puzzle of crucial information in that state makes me want to just give up.

I am sure you are no doubt trying to figure out what the f*** to do with the piece of paper in your hand right now. 
You’re confused, lost and you just want to get on your flight…
– Tyler Thompson

You may have read Tyler Thompson’s post— I did, and on every plane journey since, I have looked at my boarding pass with a little bit more intrigue. Wondering why it is the way it is, pondering what it could look like?




Obviously, it’s difficult to fully define how to plan out an area when you don’t know the how far the boundaries reach.

There are definitely restrictions to how a boarding pass can be created and probably a haberdashery worth of red tape to try to break through. There are some sticky issues that I can think of and probably some that I am unaware of. But they basically break down into a number of categories.

  • Print limitations (airports seem to have crazy basic print machines, colour may be an ideal but not a realistic ask)
  • Cost (we are talking about millions of pieces of paper here)
  • Flexible content restrictions. I have a long surname at 13 characters, I am sure others can go longer.
    Getting that on a ticket with long strings of other characters is troublesome.

3 sets of eyes

The boarding pass has to clearly show the information for the TSA, airline staff and the traveller.



I constantly kept in mind that the ticket has at least two users, and usually three: both the traveler, who uses it as a reference, and also any TSA agent or airline employee that might need to inspect it.

I wanted to solve not only the aesthetics of the boarding pass, but the layout of information in order of importance and also chronological— meaning from the start of your journey until you arrive at your destination gate.


There needs to be some chronology. You don’t need to know your seat number until you are on the plane. Before that, the questions are What time do I fly? What gate do I leave from? Which boarding group am I in? I wanted my design to answer these in the order you would ask them.

Ideally, The Boarding Pass Would Guide Travellers Through Their Entire Journey.

I never understood why boarding passes are not laid out chronologically. It seems obvious. You are on a journey with a clear beginning and a clear ending. It always baffled me why the rest of the information didn’t fit into that timeline clearly. I don’t need to know what my seat is when I am looking for my flight number and boarding time.

The design distributes the relevant information across horizontal bands. The top of the ticket is exclusively for the TSA, including the airline, airports, flight number, and passenger name; the bottom is for the airline, with frequent flyer numbers and barcodes for scanning at the gate.


Design Details

Where’s my seat?

I think airlines can do better at helping passengers find their seat. It is in their interest to get everyone seated quickly, but how many people stop in the middle of the aisle and stare into the row hoping for some sort of enlightenment moment to help them find their seat?


I think using a mix of icons and numbers, these issues can be broken into three easy-to-follow steps.

  1. Seat numberWhat to look for
  2. Seat location— Front or rear of plane
  3. Seat type— Aisle, Centre or Window

I have not seen this done and I think it would be extremely helpful.


The Fold

The other thing I would love to include is a halfway fold…

I bet you have had this happen — You stick your boarding pass in your pocket, take it out at the gate and the stub is hanging off. You reached peak perforation too soon! I would include a foldline on the reverse of the ticket that leaves the stub nicely intact and means you can put the pass into your passport neatly.





Every airline is recognisable by it’s aeroplane livery. If it is not- they have done a bad job. The two key brand assets used by an airline are their colour and logo. Most airlines will have a strong enough brand presence with just these two elements presentso keeping a simple design and adding just a few sections of block colour and the logo should be enough to invoke those brand associations.

I am talking about having universal templates with the opportunity for unique brand language.


Design Details - BRANDING


In Conclusion

Boarding passes need to change.

But here’s the question: Is re-structuring the information enough or is the whole boarding pass concept obsolete?

While it’s becoming easier and easier to check-in with a QR code on your phone, there’s at least one big reason to get the physical pass right - The paper pass will always outlive your phone battery.